SKU: 89067220445

DADS - THE COMPLETE SERIES (2013-2014) EXECELLENT QUALITY!!! HARD TO FIND!!! Seth Green, Giovanni Ribisi, Martin Mull, Peter Riegert, Brenda Song, Vanessa Lachey, Tonita Castro

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DADS - THE COMPLETE SERIES (2013-2014) EXECELLENT QUALITY!!! HARD TO FIND!!! Seth Green, Giovanni Ribisi, Martin Mull, Peter Riegert, Brenda Song, Vanessa Lachey, Tonita CastroGet ready for a hilarious and heartwarming ride with Dads, the outrageous sitcom from the creators of Family Guy that proves growing up doesnt stop at adulthood. Seth Green and Giovanni Ribisi star as Eli and Warner, childhood best friends turned successful video game developers whose lives are thrown into chaos when their eccentric, overbearing fathers move in. Warner (Ribisi) is a married man struggling to balance his demanding job, his wife Camilla

Get ready for a hilarious and heartwarming ride with Dads, the outrageous sitcom from the creators of Family Guy that proves growing up doesn’t stop at adulthood. 

Seth Green and Giovanni Ribisi star as Eli and Warner, childhood best friends turned successful video game developers whose lives are thrown into chaos when their eccentric, overbearing fathers move in. 

Warner (Ribisi) is a married man struggling to balance his demanding job, his wife Camilla (Vanessa Lachey), and his wildly inappropriate, free-spirited dad Crawford (Martin Mull). Meanwhile, Eli (Green), a bachelor with a party lifestyle, finds his world getting even more out of hand thanks to his equally unfiltered father David (Peter Riegert). 

From cringe-worthy office antics to awkward family dinners and unexpectedly touching moments, these dads are masters at pushing all the wrong buttons—and sometimes, the right ones. 

The series also features Brenda Song as the duo’s sharp-witted office assistant and Tonita Castro as Eli’s no-nonsense housekeeper Edna. 

Created by Family Guy veterans Alec Sulkin and Wellesley Wild and executive produced by Seth MacFarlane (Family Guy, American Dad!, Ted), Dads is packed with sharp wit, irreverent humor, and surprising heart. 

Dads hilariously explores the joys and chaos of multi-generational living, proving that even grown men can learn a thing or two from their ne’er-do-well old men. 

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Number of DVDs: 4
Number of Episodes: 19
Quality: 9.5/10
Region: 0
Running Time: 6 hrs 58 min (approx)
Aspect Ratio: Widescreen, 1.78:1
IMPORTANT NOTES: This is a fan-made collection on high-quality DVD-R discs. It is intended for collectors and fans. Do not order if you are expecting a commercially packaged boxed set with full-color disc art. There is no retail packaging included. 
DVDs are shipped in protective sleeves.
ALL SALES ARE FINAL. NO REFUNDS ARE GIVEN DUE TO EASE OF COPYING, HOWEVER WE GLADLY REPLACE ANY DEFECTIVE DISCS FOR FREE.
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SKU: 89067220445

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4.7 ★★★★★
Based on 13 reviews
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Victoria
Port Orchard, US
★★★★★ 5
Eerie and Memorable
Format: Paperback
I would put this book in my top ten favorites. It has great imagery, deep themes, and I'm still thinking about it years after reading it for the first time. I'm overdue for a re-read!
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Reviewed in the United States on August 11, 2020
A
Verified Purchase
Amelia
Massapequa, US
★★★★★ 5
Staying is the making. The real making.
Format: Paperback
The tyrant owns form, doesn’t he? This is a book for anyone who might be no one, or anyone who is worried, or anyone who has ever thought about women, epic poetry, or both.
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Reviewed in the United States on October 8, 2019
R
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Rachel S.
West Palm Beach, US
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 29, 2014
E
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Eileen O Malley Callahan
Boise, US
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
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Reviewed in the United States on December 18, 2014
J
JeFF Stumpo
Alexandria, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010

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