SKU: 70180444383

Tama ST52H5CSEM 5-Piece Complete Acoustic Drum Set (Sea Blue Mist)

Sale price$495.00 Regular price$550.00
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Description

Tama ST52H5CSEM 5-Piece Complete Acoustic Drum Set (Sea Blue Mist)The TAMA Stagestar represents the next level of all in one drum kits, offering an extremely full sound with impressively standard shell dimensions for a steal of a price. This 5 piece pack is built from 7mm, 6 ply all poplar shells, delivering enough punch and presence to inspire any beginner or drummer on a budget. From the stick saving, triple flanged hoops to the sturdy double braced hardware stands, the relentless double chain kick pedal, and the

The TAMA Stagestar represents the next level of all-in-one drum kits, offering an extremely full sound with impressively standard shell dimensions for a steal of a price. This 5-piece pack is built from 7mm, 6-ply all-poplar shells, delivering enough punch and presence to inspire any beginner or drummer on a budget. From the stick-saving, triple-flanged hoops to the sturdy double-braced hardware stands, the relentless double-chain kick pedal, and the included throne, this set is one of the biggest bangs for your buck that drummers around here have encountered. Complete with a projective thick-gauge brass hi-hat pair and crash cymbal, this kit is designed to turn any beginner into a Stagestar in no time!

Poplar gets the job done

Each shell in the 5-piece Stagestar Complete Drum Set starts out as six individual plies of dynamically versatile poplar. These aren’t your typical beginner dimensions — most all the shells included in Stagestar fit the bill of the standardly configured drum packs utilized by professionals. And once formed, these shells are capped with lightweight triple-flanged hoops that go easy on your drumsticks, coming adorned with quality lugs and tension rods for fabulous intonation and classic TAMA aesthetic appeal. The sound of the final product? Traditionally full, punchy, and present shells that excel at many different dynamic levels — perfect for beginners that are getting a feel for the trade!

Thick-gauge brass cymbals

We don’t always see beginner kits coming equipped with cymbals, and these offerings from the TAMA Stagestar reach new heights. The cymbals are crafted from thick-gauge brass, delivering much more presence and durability over time than average beginner cymbals while hammering home that bright and vibrant wash of brass. You'll receive a pair of 14-inch hi-hats and a 16-inch crash cymbal — for first timers looking for a starter kit, that’s enough to do the trick!

All that hardware!

It isn’t just the hardware on the shells that’s appreciated by drum pros here. We’re talking stands, pedals, a tom holder, and a throne — the whole nine yards! This double-braced hardware is designed for stability beneath even the most eager and heavy-handed beginners, and is a welcomed touch for the territory! You’re setup features a boom cymbal stand, an Omnisphere double tom holder, a snare basket stand, a hi-hat stand, a double-chain kick pedal, and a comfy throne. It all comes chrome-finished, too, for a superb look that’ll shine under any lighting — from living room lamps to talent show stages and beyond!

Features

  • 7mm, 6-ply 100% poplar shell construction is punchy, present, and dynamically versatile
  • Larger, more standard shell dimensions than most beginner kits means a closer playing feel to higher-end drum sets
  • Triple-flanged hoops and quality lugs/tension rods offer classic look and superb intonation
  • Thick-gauge brass 14-inch hi-hat and 16-inch crash cymbals are brighter, louder, and more durable than average beginner sets
  • Includes double-braced boom cymbal stand, hi-hat stand, snare basket stand, and round-top throne
  • Omnisphere double tom stand and double-chain kick pedal outmatch typical beginner hardware quality
  • Great for drummers just starting out, and percussionists on a tighter budget!

Specifications

  • Finish:Sea Blue Mist
  • Configuration:Drum Set with Hardware and Cymbals
  • Number of Drums:5
  • Snare (Depth x Diameter):5.5" x 14"
  • Mounted Toms (Depth x Diameter):8" x 10", 9" x 12"
  • Floor Toms (Depth x Diameter):15" x 16"
  • Bass Drums (Depth x Diameter):16" x 22"
  • Shell Material:Poplar
  • Included Cymbals:14" Hi-hat, 16" Crash
  • Included Stands:Boom Cymbal Stand, Hi-hat Stand, Snare Stand
  • Included Drum Pedal:Single Pedal
  • Included Throne:Included
  • Tom Holders:Double Tom Holder
  • Manufacturer Part Number:ST52H5CSEM

Drums Included

  • 8-inch x 10-inch mounted tom
  • 9-inch x 12-inch mounted tom
  • 15-inch x 16-inch floor tom
  • 16-inch x 22-inch bass drum
  • 5.5-inch x 14-inch snare drum
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 70180444383

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Reviewed in the United States on February 19, 2026
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Don Morris
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★★★★★ 5
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Cedric J. Robinson’s Black Marxism is first a history of Black people appearing in historical texts as far back as Herodotus (c. 484 – c. 425 BCE) in ancient Greece, and second a history of “the collisions of the Black and white ‘races’ beginning in the fifteenth and sixteenth centuries.” Robinson’s thesis connects the evolution of capitalism to its roots in racism (racialism) understood in broad terms to comprise the subjugation of one class/group/nation/race by another (the Irish by the English in the nineteenth century, for example). He uses the term “racial capitalism” to express this process—the necessity of opposing classes for the function of capitalism. As a result, “racialism,” he says, “would inevitably permeate the social structures emergent from capitalism.” Keynes attributed the slow change in the “standard of life of the average man” until the beginning of the eighteenth century to “the remarkable absence of important technical improvements and to the failure of capital to accumulate.” Capital is accumulated, in Marx’s view, through the accretion of “surplus labor” which is the extra time a worker “must add to the working time necessary for his own maintenance . . . in order to produce the means of subsistence for the owners of the means of production.” Robinson ties capitalism’s early exploitation of surplus labor to slave labor and the slave trade noting, “historically, slavery was a critical foundation for capitalism.” Robinson traces the forced transport of Black people from Africa (the diaspora) to Europe, as well as Central, South, and North America as a foundation of early capitalism (and slavery as its form of “primitive accumulation” of capital). In his discussions of slavery, Robinson stresses the sense of the enslaved people with respect to their captors in terms of the slaves’ resistance, hostility, and defiance of the masters—their “Black radicalism.” As Robinson’s text approaches the twentieth century and the influence of Marx, his focus narrows to the significance and character of specific Black leaders including W. E. B. Du Bois, C. L. R. James, and Richard Wright and their respective connections to Marxism’s diverse interpretations. Marxism, says Robinson, “has proven insufficiently radical to expose and root out the racialist order that contaminates its analytic and philosophic applications or to come to effective terms with the implications of its own class origins.”
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Reviewed in the United States on September 2, 2022
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Emma
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★★★★★ 5
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Reviewed in the United States on November 15, 2023

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